CAPE VERDEAN BLUES, Univ. of Pittsburgh Press, 2018
“These words feel like experiences. Some are personal, most are enlightening, but all connect. Connect on a higher Level. A spiritual level.”
—Kendrick Lamar, winner of the 2018 Pulitzer Prize for Music
"A poetry collection I truly loved this year was Cape Verdean Blues by Shauna Barbosa. It's such a generous book. It thrives on its ability to give and give, even through its linguistic flourishes and singularly beautiful tour of references. I found so much rhythmic quality throughout, I found myself thinking of the book like a well-crafted album. I imagine all of my favorite books like this, because all of my favorite books allow me to imagine them this way. With bounce, with image, with a single person doing the work of a whole choir."
—Hanif Abdurraqib, Poet, Essayist, and Cultural Critic
"In her strong debut, Barbosa delves into how the nuances of identity are formed through intersecting struggles. She characterizes identity as mutable, flexible, and a means to keep the memories that shape a person. Writing of her Cape Verdean upbringing in Boston, Barbosa investigates what it means to be a woman of color and a cultural other: "While I study my aunt makes a few bucks with no English at the Au Bon Pain in Harvard Square. She's sweeping like it's a Saturday morning in her Cape Verdean home." In Barbosa's poems, the act of remembering can spur self-reflection as well as a political epiphany. In "An Email Recovered from Trash," Barbosa contends with dating as a black woman: "Can you tell from my name, I'm still in search of a place to stay?" It seems that even when Barbosa wants to momentarily forget about otherness, the outside world serves as a constant reminder. Yet she finds an inner peace, writing 'My noise so liberating/ it asks to be no one.' For Barbosa, the memories that are a minefield can also become a haven; those aspects of identity that arise through conflict can serve as a source of exceptional strength."
—Publishers Weekly
"Equal measures heart and bravado, Barbosa captures a present moment in U.S. poetry."
—Booklist
“In Cape Verdean Blues, Shauna Barbosa’s voice is oracular and shapeshifting. Candid as a family friend, but with a fortuneteller’s gravity, the poems in this debut are full of lyric innovations that cut through alleyways in the mind to achieve a numinous beauty. There’s nothing weary here. These blues are alive with wit and swagger.”
—Gregory Pardlo, Winner of the 2015 Pulitzer Prize in Poetry for Digest
"It was tough to pick a top book in 2018 but I’m going to have to go with Kendrick Lamar on this one and say Shauna Barbosa’s poetry collection, Cape Verdean Blues, topped my list. These poems make bodily experiences feel spiritual while also exploring the concerns of someone whose identity lives between two cultures. I’ve always been a fan of reflecting on those moments or people in life that come and go quickly but leave behind detailed traces of emotion. Barbosa extracts these delicate traces and places them within her words. The collection does what poetry is meant to do, move you."
—Melissa Ximena Golebiowski, Lit Hub national assigning editor
“Cape Verdean Blues sings its pleasures and its pains. Delighting in the possibilities of linguistic play and undeniable rhythm, Barbosa’s urgent and intoxicating poems honor the poet’s past even as they fashion and refashion a shifting, irreducibly complex, and irrepressible identity that slyly slips our hold.”
—Kathleen Graber, author of The Eternal City: poems
“This is a book harried by the wraiths of American power and culture, a book of the splitting possibilities of self and of love gone ridiculous, of the terrible and ongoing orthodoxy of the internet, of the largesse and murder committed by the ocean and by the calendar itself. And Shauna Barbosa’s jet-pilot of a speaker stays calm in the cock-pit, radioing in the damage. ‘Quiet are the dead these days, yeah?’ she asks. But by the time you reach the end of Cape Verdean Blues, dear reader, the dead aren’t quiet any longer.”
—Joshua Bell, author of Alamo Theory